Adam Robl and Shawn Sutta combine their obsession with the process of composing and recording music with their passion for the art of filmmaking.
‘Everything. Everywhere. What.’ | Interview with Alec Shea
It deserves to be experienced in a dark, very dark place.
Jakob Balogh – portraits of blood – Nordic Noir
Up-close-and-personal piano motifs are mixed with dark string sections and evolving, haunting soundscapes
‘Dark, full of emotion and textures’ | Interview with Markus Lehmann-Horn
This mystical soundtrack praises ‘the plaintive human voice’ and makes you wonder if it has been taken out of a Bergman movie.
‘Orchestral, cinematic & storyteller’ | Interview with Daniel Núñez Martín
Brilliantly cinematic and strikingly chilling
‘cinematic storytelling soundscape’ | Interview with Andreas Arianto
Delightful in a way that seems removed from everyday life
Yuta Bantoh x Gretchen Parlato x BIGYUKI – All the Same [Review]
‘we need to struggle to keep our musical language rich, original and deep’ | Interview with Federico Ferrandina
Federico Ferrandina returns with a single – the soundtrack for Netflix’s ‘L’Ultimo Paradiso’.
Can a movie exist without images? | Interview with VAAAL [Debut Album]
Welcome to the wonderful and mysterious world of VAAAL. An intense and thrilling debut album that feels like a movie without images.
Nate Wonder, Roman GianArthur – Opening | Antebellum [Review]
The movie may not be out yet, but it’s score has already impressed us.