Forward-thinking electronica with cinematic layers, organic keys and a very carefully curated drum layer, all crafted by the Rinalds Maksimovs.
Tag: Electronic
‘Corrupted. Synthetic. Human.’ | Interview with Signal Decay
Welcome to a cyberpunk world where darkness is the new norm.
‘Cinematic. Ethereal. Industrial.’ | Interview with Kai Moa
Kai Moa delivers a powerful second single with “L = ∅.” A cinematic track packed with gritty textures, massive energy, and epic, wall-of-sound synths.
Saint Micah – The Grind [Review]
The desperation. The grind.
Eichhorn – Transition [Review]
The craziest part? This is Eichhorn’s debut album, and he built the entire thing from scratch without leaning on a single sample or AI shortcut. It’s pure, old-school craftsmanship from a guy who sounds like he’s been doing this for ages.
‘Questioning, Feeling, Exploring’ | Interview with Ōkubi x Cholly
Gritty, distorted sounds collide with 1980s aesthetics synth arpeggios and manipulated vocals which capture that “everything is falling apart” feeling. Beauty and decay coexist.
‘Lo-fi psychedelic vaporwave’ | Interview with Sionnul
With a Ludwig Pocket Kit, a handful of Stratocasters, and a collection of old-school synths, Sionnul is serving up the ultimate lo-fi aesthetic
EDIE – Garden of Edie [Review]
For a 4-track project, Garden of Edie covers a great amount of ground proving that she can handle different genres without any of it feeling forced.
Floced – Expandable Rotor [Review]
The machine itself might not have a soul, but it can absolutely evoke emotion. You just have to be willing to listen and feel it.
‘Ride on, rangers!’ | Interview with Tone Ranger
Want to put the cosmos into sound? Space travel might still be a distant dream, but Tone Ranger is already providing the soundtrack.
Secret Eclectic 