French Inhaler – PRACTICED LINES [Album Review]

The record plays like a forgotten 1985 gem that somehow slipped through the cracks of time.

‘Genre blending electronica’ | Interview with LateNightBeatFeast

Tonight’s feature moves straight into the shadows. LateNightBeatFeast is showcasing Thursday, a deeply melancholic track with sweeping, cinematic strings over an organic trip-hop infused groove. Read our discussion below!

‘Dark Experimental Heavy’ | Interview with I Tend the Light

I Tend the Light breaks down “One Need Not be a Chamber,” exploring how 19th-century poetry, creepy YouTube archive footage, and EVPs fueled the sinister, slow-burn doomgaze sound.

‘Cathode ray Netflix’ | Interview with Secret Bad Boy

Secret Bad Boy is back to build a universe where music and visual art completely collide. Synth rigs, alter egos, and the art of crafting songs for the imagination.

Jacqueline – Vertigo [Review]

Jacqueline is showcasing “Vertigo” a track hits you with heavy doses of psychedelia from the very first second.

‘Dynamic, minimalistic, electronic.’ | Interview with Rinalds Maksimovs

Forward-thinking electronica with cinematic layers, organic keys and a very carefully curated drum layer, all crafted by the Rinalds Maksimovs.

‘Corrupted. Synthetic. Human.’ | Interview with Signal Decay

Welcome to a cyberpunk world where darkness is the new norm.

‘Melodic. Honest. Psychedelic.’ | Interview with Date of Birth

Seashell Eyes introduced their debut album with “Sunshine Girl”, a track blending lovely orchestral psychedelia, dreamy vocals, and a surprise Radiohead-esque intro.

The Royal Pacific Orchestra – Witchcraft [Review]

While listening to “Witchcraft” from the Brooklyn, NY based The Royal Pacific Orchestra, it’s hard not to give credit on … More

‘Cinematic. Ethereal. Industrial.’ | Interview with Kai Moa

Kai Moa delivers a powerful second single with “L = ∅.” A cinematic track packed with gritty textures, massive energy, and epic, wall-of-sound synths.