Peder – Between the Ocean and the Snow (Volume 1) [Review]

What is the sound of the state between two extremes?

‘Fusion, Chaotic, Dastadly’ | Interview with Esslemont

Raw, puzzling and profoundly cinematic, Gremlin Graphics is esslemont’s tribute to 1980s British Television.

‘Caring, Loving, Introspective’ | Interview with Jake Botts

Sax fuelled cinematic songs with remarkable string sessions and soft felt pianos, infused with a sense of adventure straight from a vintage film.

“Colourful, moody, melancholy” | Interview with Micki-Lee Smith

Can music be used as a medicine?

‘Layered, surrealist, unapologetic’ | Interview with Claudio Olachea

It is lovely down here.

‘Handel meets T-Pain’ | Interview with Adam Robl and Shawn Sutta

Adam Robl and Shawn Sutta combine their obsession with the process of composing and recording music with their passion for the art of filmmaking.

Vanessa Marcoux – L’Appel [Review]

Themes which are easy to understand, but on the other hand very sophisticated indeed.

‘Instrumental, Retro, Cinematographic’ | Interview with Louis Fontaine

Enigmatic and desperately cinematic, a piece of work you will become obsessed with.

‘cultural melting pot’ | Interview with B Prasanna

Cracks the goosebumps code, one note at a time