The album operates less like a standard record and more like a film, a book, or a story told by a stranger sitting next to you on a park bench, someone you’ve never met, but whose urgent need to share makes them feel like a close friend for an hour.
Author: Admin
‘Cinematic. Ethereal. Industrial.’ | Interview with Kai Moa
Kai Moa delivers a powerful second single with “L = ∅.” A cinematic track packed with gritty textures, massive energy, and epic, wall-of-sound synths.
Funkwrench Blues – THIS IS THE ONE! (raison d’être) [Review]
Who is this for? This the the one for anyone who prefers their music gritty, unpolished, and full of life.
Saint Micah – The Grind [Review]
The desperation. The grind.
Ryan Rickenbach – Sirens [Review]
There is a distinct art to making a record feel both deeply vulnerable and effortlessly breezy, and Ryan Rickenbach manages … More
Eichhorn – Transition [Review]
The craziest part? This is Eichhorn’s debut album, and he built the entire thing from scratch without leaning on a single sample or AI shortcut. It’s pure, old-school craftsmanship from a guy who sounds like he’s been doing this for ages.
‘Questioning, Feeling, Exploring’ | Interview with Ōkubi x Cholly
Gritty, distorted sounds collide with 1980s aesthetics synth arpeggios and manipulated vocals which capture that “everything is falling apart” feeling. Beauty and decay coexist.
‘Lo-fi psychedelic vaporwave’ | Interview with Sionnul
With a Ludwig Pocket Kit, a handful of Stratocasters, and a collection of old-school synths, Sionnul is serving up the ultimate lo-fi aesthetic
John Schroter – Full Circle [Review]
John Schroter brought lived-in emotion into these keys, resulting in a short collection of music that feels grounded and beautifully moving.
Jordi Forniés – Raíz y Recuerdo [Review]
Memory is a tricky thing. It isn’t a neat, linear file cabinet but more like a messy, living landscape filled with heavy shadows. And occasionally some sudden bright flashes.