Céline Dessberg – Selenge [Review]

Driven by the delicate melodies of the yatga, the traditional plucked zither of Mongolia, the track flows effortlessly with a mellow bassline, warm acoustic drums, and subtly funky guitars.

‘expressive mediterranean jazz’ | Interview with Pierre Thomas-Fredon

“A la poursuite du temps,” is a track that masterfully blends jazz aesthetics with a variety of elements, all centered around the enchanting sound of the oud, which weaves through the air like a timeless whisper.

‘Greek jazz fusion’ | Interview with KAVOS

Rebetiko is often referred to as the Greek blues, but what happens when it merges with free jazz?

‘Cinematic, wacky and melodious’ | Interview with GØ

GØ delivers a deeply melancholic track with a strong cinematic vibe, infused with powerful energy as it tackles the century-long Faroese struggle between independence and union.

‘I play energy, not notes’ | Interview with Nathan-Paul

808s meet improvisation, the saxophone flows like a rapper—Grimy distorted trap beats, frantic free jazz improvs, limitless vibes.

‘Moody, psychedelic, detailed’ | Interview with Katara

When was the last time you encountered a jazz fusion project led by a harp? Katara’s debut impresses with its blend of psychedelia and remarkable songwriting.

Edy Foray – Eerie Feary [Review]

Edy Foray’s “Eerie Feary” captivates with its rich atmosphere, blending smooth electric piano, skilled horns, and intriguing bass to create a dynamic, jazz-infused experience.