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Category: Interviews
‘Atmospheric, Textural, Introspective’ | Interview with Darkstates
Darkstates teams up with Clara Pople on Rest My Hands, weaving together rich percussion layers, ethereal synth arpeggios, and Pople’s hypnotic, dreamlike vocals.
‘I play energy, not notes’ | Interview with Nathan-Paul
808s meet improvisation, the saxophone flows like a rapper—Grimy distorted trap beats, frantic free jazz improvs, limitless vibes.
‘Automatic, Efficient, Synthetic’ | Interview with _shoe
In the neon-lit shadows of Leather Laces Militia’s dystopian world, _SHOE’s latest work is their sinister anthem, a pulse-pounding darksynth production echoes the cold efficiency of their latest schemes, as they tighten their grip on a future where rebellion is but a whisper.
‘heavy, beautiful, and trippy’ | Interview with Nok Novum
Nok Novum presents Ominous Kyle—technical precision meets soaring, intricate guitar riffs. Instrumental progressive metal but with a soul.
‘Xennial Elevator Music’ | Interview with Cr&m
“Icicletrycicle,” the closing track on Cr&m’s EP Parasol, wraps up the project with a unique blend of warmth and texture where earthy, organic sounds meet gritty saturated synths.
‘From my computer’ | Interview with Brackish
Lose yourself in Brackish’s Rico’s Spell Number 4, a seriously addictive, hypnotic, minimal techno production.
‘Eclectic, Bass heavy, Original’ | Interview with Jens Lodén
Swedish artist Jens Lodén teams up with Lina Nyberg on “Break the Spell,” delivering a trip hop infused groove enriched by expressive vocals and a really intriguing moody piano section.
‘Speaking In Tongues’ | Interview with Holy Roller Baby
“Speaking In Tongues,” the lead single from the band’s album “Smile Like Heaven,” is richly layered, warmly saturated, and evokes a strong sense of 90s nostalgia with its chord progression.
‘Yorkshire, garage-punk, rock-n-roll’ | Interview with Avalanche Party
Collateral Damage encapsulates the energetic and frenzied sound of the band featuring heavy riffs and a dynamic vocal delivery.
