‘Musical, intricate, emotive’ | Interview with Johannes Brecht

If you’re seeking conventional jazzy electronica, this isn’t for you. But if you’re into original forward thinking idm that pushes boundaries and captivates, then welcome!


Read our discussion with the artist below!

Could you please describe the sound of “Disparaitre” in 3 words?

Musical, intricate, emotive

What inspired you to reunite with your old jazz ensemble for the creation of “Disparaitre”?

We played together as a trio for so many years and never recorded anything, so I thought it would be great to finally do that because I was longing for the spontaneity, improvisation, and trust that comes with playing together. Also, the rich, organic texture of the acoustic, more jazz elements brought a fresh perspective to my electronic compositions.

What was it like to step back into a more collaborative and organic musical setting after years in the electronic music scene?

It was refreshing. The give and take of collaborating live, together in the same room, brought an unpredictable and exciting dynamic to the music that’s hard to replicate in the solitary world of electronic production.

How did the idea of merging electronic music with jazz come about, and what challenges did you face during this fusion?

I studied jazz double bass and worked as a jazz musician for many years and played with my trio colleagues for so many years that it was a natural process to return to my roots over the years, but now with a completely new approach.

Artists and people that have influenced you?

Influences include Jazz artists Miles Davis, John Coltrane, as well as electronic pioneers like Basic Channel or Aphex Twin.

You described the album as a “first step” and a “search”. What future directions do you see for your music following this project?

I see my music continuing to evolve, It is an ever-ongoing journey that never ends, an eternal search an eternal discovery. It is wonderful.

If the music of Johannes Brecht was a film, which film would that be?

In the case of our trio album, that might be Annihilation by Alex Garland.

What isn’t a crime but should be?

Disrespecting the natural environment – it should be a universal obligation to protect and preserve our planet for future generations.

Thank you!

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